The beauty of transposing instruments 😩 - I am still trying to Being the "bassoon with strings attached", I am facing I have been adding pieces for clarinets with a single cello recentlyīecause I happen to do music with three clarinet players quite That is not really necessary - it might save you a few microseconds in You could also comment the respective \include in the top part, but You find that the beginning of the master file looks something like Is no big deal to create them by yourself, if you have lilypond on Planning to distribute extracts of partial/single voices.
#TWO LINE ARRANGER LILYPOND FULL#
I am doing all this type-setting in Unix environments. Since I am very enthusiastic about this instrument -). The music chosen is in favour of cello music (mostly chamber music)
Hi Claude! I noticed you changed the page Creation (Oliver Holden) to conform to "Newest form of Text Template." The problem is that your edits put the title at the top of the first column, rather than above all the columns.This repo contains sheet music typeset with the Lilypond typesetter. You're a wise man! ) I went ahead and deleted one of the pages, let's hope it won't cause any strong reactions! - Carlos 15:35, 10 March 2015 (UTC) Newest form of Text Template I let you go at it -)) Claude ( talk) 14:37, 10 March 2015 (UTC) Yes Carlos, but the difficulty is there: "Who is the right one?" Who is the composer, who is just a "little" arranger? -) I don't want to be a victim of contemporary "composers" hmm "arrangers". In such cases you can simply delete one of them, or make it a redirect to the other. James), but they are in fact duplicate pages differing just in the composer name. Hi Claude! You suggested that 3 Drovers (Sarah Lambert) should be merged with 3 Drovers (William G. I, too, prefer the shorter one -)) Claude ( talk) 14:24, 23 February 2015 (UTC) Merger of duplicate pages Do you think this is optimal? Claude ( talk) 19:43, 21 December 2014 (UTC) LilyPond to I like the shorter name, what about you? I'll make it a redirect you may use it if you want in case it is adopted, there's no need to replace PostedDate where it has already been used. There are also many withdrawn editions (for copyright reasons or by other editors than Edward Tambling) that were *NOT* extracted to an individual Edition:CPDL page. Lastly, you could imagine it's difficult to get reliable statistics when more than 20,000 editions stay on their respective works pages but 468 are extracted on individual edition pages, 200 withdrawn and 268 not withdrawn. More recently even, I realized that, for modified work titles (adding Purcell's Z number, for example) the Edition:CPDL nnnn pages were *NOT* actualized, breaking so the links between works pages and corresponding extracted editions. Recently, someone removed all withdrawn Edward Tambling's editions from works pages after a discussion on the forums. You answered there that it was only for withdrawn editions. I remember that more than one admin regret, somewhere in the forums, what we did you and me in 2012: extracting information from work pages to edition pages.
The informations restored on works pages for not-withdrawn editions stay on their Edition:CPDL nnnn respective page. Thanks!! – Chuck talk Giffen ♫ 18:47, 21 December 2014 (UTC) Has this been discussed among Admins and a decision taken to do this? If so, I have apparently been left in the dark on this matter and would like to know what the reasoning behind this decision has been. I see you have been at work moving information from the Edition: records back to score pages. Recalling information for non-withdrawn editions?
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